Film News

• Rian Johnson and Cinematographer Steve Yedlin Saved Some of Their Best Work for ‘Wake Up Dead Man’
  Indie Wire
• The Voice of Ash Ketchum on ‘Pokémon’ Finally Made the Leap to Live Action Features After 19 Years
  Indie Wire
• Tessa Thompson on How the ‘Tremendously Generous’ Nina Hoss Makes the Case for Future Gender-Flipped Versions of ‘Hedda’
  Indie Wire
• Nina Hoss Avoided the Trap of ‘the Sex-Bomb Blonde’ Early on — Now, She Gets to Be an Unhinged Bisexual in ‘Hedda’
  Indie Wire
• ‘Hamnet’ Changes the Maggie O’Farrell Novel’s Approach to Time
  Indie Wire
• Ryan Coogler on ‘Sinners’ DP Autumn Durald Arkapaw’s Passionate Approach to Cinematography
  Indie Wire
• How Cinematographer Autumn Durald Arkapaw Mixed Formats and Genres to Create the Most Visually Stunning Film of the Year
  Indie Wire
• Quentin Tarantino Cut a Fight Scene from the Initial Draft of ‘Kill Bill,’ but He Finally Made It in Fortnite
  Indie Wire
• Tom Stoppard, Brilliant Playwright and Oscar-Winning Screenwriter, Dead at 88
  Indie Wire
• Kate Winslet on Shooting Her Directing Debut ‘Goodbye June’ with Her Dream Cast — and from Her Son’s Script
  Indie Wire
• ‘Zootopia 2’ Is a Romance — Why Is Disney Afraid to Just Say That?
  Indie Wire
• The Production Design of ‘Eternity’ Is a Love Letter to Creativity and Cinema
  Indie Wire