Film News 2026-10-22

• ‘The Debut’ Is the Go-to Festival Crowdpleaser as Jesse Eisenberg’s Musical Comedy Launches at Virginia
  Indie Wire
• Sandra Hüller’s Star Keeps Rising, but She’s Still Adjusting to Life in the Public Eye
  Indie Wire
• Mayor Zohran Mamdani and Neon to Present Free ‘Once Upon a Time in Harlem’ New York City Screenings
  Indie Wire
• ‘Blue Film’: How the Controversial Camboy Drama Was Produced for Just $100,000
  Indie Wire
• ‘Nobody Wants This’ Season 3 Review: Netflix’s Fizzy Rom-Com Puts the Pop (and Pain) Back Into Modern Love
  Indie Wire
• ‘A Talent for Murder’ Review: Helen Mirren and Alden Ehrenreich Face Off in This Punchy Twist on Patricia Highsmith
  Indie Wire
• Is Fan Fiction Really the Next Frontier in IP?
  Indie Wire
• When VFX and Practical Sets Work Together, Sometimes You Invent New Cameras
  Indie Wire
• Ken Russell’s ‘The Devils’ Extends Theatrical Run Following Strong Box Office Debut
  Indie Wire
• Watch ‘Man on the Run’ Director Morgan Neville Unpack Paul McCartney’s Life After Beatlemania
  Indie Wire
• ‘Possible Love’ Review: Two Married Couples Begin to Covet Each Others’ Lives in the Latest Stunner from ‘Burning’ Director Lee Chang-dong
  Indie Wire
• ‘Clayface’ Review: A Gross Miscalculation (Emphasis on the Gross)
  Indie Wire