Film News 2026-10-10

• ’14th’ Review: Ava DuVernay’s Overstuffed Netflix Documentary Finds Us Living in the Age Frederick Douglass Warned Us About
  Indie Wire
• IndieWire’s Future of Filmmaking Summit to Feature ‘Pitch Me’ Panel on Finding Breakout Hits with Top Execs and Agents
  Indie Wire
• Ava Duvernay Didn’t Make a Sequel — She Made ‘14th’
  Indie Wire
• ‘Other Mommy’ Review: Jessica Chastain’s Acting Personas Collide in Freaky Dreamcore Horror
  Indie Wire
• Historic Long Island Indie Theatre in Crisis After Beloved Co-Director Fired: Protests, Cancellations, Accusations of ‘Disloyalty’
  Indie Wire
• Why ‘The Social Reckoning’ Reimagines Facebook’s Offices as a Palace of Fear
  Indie Wire
• ‘Drinking and Driving’ Review: Avalon Fast and Jillian Frank Wonder If Empty Rural Hedonism Can Ever Give Way to Transcendence
  Indie Wire
• Greta Lee, Rebecca Ferguson, and Carrie Coon Rom-Com ‘Honeymoon/Funeral’ Lands at Black Bear
  Indie Wire
• Tony Gilroy on Pedro Pascal, ‘Behemoth!,’ and How Disney Never Told Him Not to Discuss Fascism During ‘Andor’ Press
  Indie Wire
• Fall Festival Movies Sold So Far: Venice Orizzonti Prize Winner ‘A Day in the Life of Jo: Chapter Phaedra’ Lands at 1-2 Special
  Indie Wire
• Anatomy of a Prom: How Mike Flanagan Climbed the ‘Everest’ of Horror Sequences for ‘Carrie’
  Indie Wire
• Meryl Streep Almost Didn’t Watch the Six-Hour ‘My Undesirable Friends’ — Then, Colin Firth Led Her to Executive Produce It
  Indie Wire