Film News 2026-09-23

• Robert Eggers Moves from Vampires and Werwulfs to ‘Romeo and Juliet’ Adaptation at Focus
  Indie Wire
• ‘Digger’ First Reactions Divide Critics: ‘Audacious,’ ‘Hollow Misfire,’ and ‘Massive Swing’ with Tom Cruise’s ‘Best Performance’ in Years
  Indie Wire
• Paramount and Warner Bros. Merger: 10 Numbers That Show the Challenges Facing the New Hollywood Giant
  Indie Wire
• LA’s Animation Is Film Festival to Feature Oscar Contenders ‘Tangles,’ ‘Iron Boy,’ and More
  Indie Wire
• Phil Lord and Chris Miller to Deliver Keynote Conversation at IndieWire’s Future of Filmmaking Summit
  Indie Wire
• ‘Coyote vs. Acme,’ Abandoned as a Tax Write-Off by Warner Bros., Grosses $100 Million Globally
  Indie Wire
• ‘La Gradiva’ Trailer: One of 2026’s Most Acclaimed Discoveries Puts a Fresh Twist on Coming-of-Age
  Indie Wire
• James Gray’s ‘Paper Tiger’ Will Screen in 35mm on New York Film Fest Opening Night — Watch the New Trailer
  Indie Wire
• ‘Forgotten Island’ Review: A Fun, Hyper, Kid-Friendly Riff on ‘The Hangover’ Steeped in Filipino Folklore
  Indie Wire
• ‘Heart of the Beast’ Review: Brad Pitt and a Very Good Dog Brave the Elements in David Ayer’s Predictably Pro-Military Survival Thriller
  Indie Wire
• Chester Bennington Doesn’t Appear in Linkin Park Rock Doc ‘Unshatter,’ but Director Joe Hahn Made Sure He Was ‘Always, Always Around’
  Indie Wire
• Watch an Exclusive Look at NYFF World Premiere ‘I Deserve a Lover Whose Every Rise Sets Fiery Dooms Raging Across the Skies’
  Indie Wire