Film News 2026-09-20

• Duncan Jones on Why It’s ‘Harder Than Ever’ to Make His Kind of Movies (and Why He Refused to Use AI for His Newest One)
  Indie Wire
• ‘La Bola Negra’ Wins the 2026 Toronto International Film Festival People’s Choice Award
  Indie Wire
• Box Office: John Wilson’s ‘The History of Concrete’ from Magnolia Becomes IFC Center’s Second Biggest Debut
  Indie Wire
• ‘The Other Bennet Sister’ Fans, Rejoice! Dónal Finn Will Be Back for Three-Part Christmas Special
  Indie Wire
• How to Run a Microcinema with John Wilson
  Indie Wire
• ‘The Daughters of Abraham’ Review: Individualism and Community Test Each Other’s Limits in an Interfaith Friendship Drama
  Indie Wire
• Trying to Picture Doomsday? 1983’s ‘WarGames’ Already Showed Us One Way AI Could End the World
  Indie Wire
• Phil Lord and Chris Miller to Deliver Keynote Conversation at IndieWire’s Future of Filmmaking Summit
  Indie Wire
• ‘Best of the Best’ Pulls Off the Perfect Heist Through Its Dance Numbers
  Indie Wire
• Mike Leigh Movies Always Start Without a Script. Watch the ‘Tender Loving Care’ Director and Cast Break Down His Unique Filmmaking Process
  Indie Wire
• ‘NAZA,’ Israeli Military Doc from ‘No Other Land’ Directors, Sets Speedy Fall Release in U.S.
  Indie Wire
• ‘Monster,’ the TV Show, Devolves Into a Poor Impersonation of ‘Monster’ the Movie
  Indie Wire