Film News 2026-09-14

• ‘The Last Photograph’ Review: Zack Snyder’s Shallow Two-Hander Is a Dull, Grotesquely Violent Revenge Thriller
  Indie Wire
• ‘Idiocracy’ at 20: How a Failed Comedy Became an Unlikely Metaphor for America
  Indie Wire
• ‘Closing Night’ Review: Even Sarah Paulson and Naomi Watts Can’t Save This Mangled Misfire of a Melodrama
  Indie Wire
• ‘Ladies and Gentlemen, Brian Mulroney’ Review: Matthew Rankin’s Psychedelic Tour Through Mid-Century Canadian Conservative Politics
  Indie Wire
• ‘Evil Genius’ Review: Patricia Arquette and David Harbour Take on a Horrifying True Crime Story
  Indie Wire
• ‘Minotaur’ Trailer: Thrilling, Cannes-Winning Russian Noir Updates ‘Unfaithful’ for Even More Hopeless Times
  Indie Wire
• Andrew Scott Knew How to Play Hamlet, but ‘Elsinore’ Required Him to Channel Another Actor
  Indie Wire
• ‘The Surgeon’ Review: Michelle Yeoh Doctors a Gang of Mobsters to Death in a Fun Little Action Movie That Gets by on Its Grossness
  Indie Wire
• ‘The Life and Deaths of Wilson Shedd’ Review: Amanda Seyfried Falls for a Convicted Killer in Tim Blake Nelson’s Sad and Sober Death Penalty Drama
  Indie Wire
• ‘All That She Wants’ Review: It’s Time to Welcome Annie Murphy to the Rom-Com Queen Club
  Indie Wire
• ‘Love of Your Life’ Review: Margaret Qualley Plays a Woman Adrift in the Kind of Lush and Tender Romantic Drama Hollywood Rarely Makes Anymore
  Indie Wire
• ‘Lanterns’ Review: Episode 5 Lights Up Rushville with a Sh*tstorm of Consequences — Spoilers
  Indie Wire