Film News 2026-09-09

• Summer Box Office Hit an All-Time High in 2026 — We’re So Back, Right? And 4 Other Takeaways
  Indie Wire
• ‘Company’ Review: Casey Affleck’s Nesting Doll Narrative Is Pretty but Directionless
  Indie Wire
• As ‘Christine’ Turns 10, Rebecca Hall and Its Filmmakers Fear a Series of Corporate Bankruptcies Could Make the Film Disappear
  Indie Wire
• Telluride Boosts Oscar Chances, from ‘Wild Horse Nine’ to ‘La Bola Negra,’ but Is A24’s Controversial Elizabeth Holmes Doc a Contender Too?
  Indie Wire
• ‘Bunker’ Review: A Tech Billionaire Asks Javier Bardem to Build a Doomsday Ark in Florian Zeller’s Heavy-Handed Social Thriller
  Indie Wire
• ‘Practical Magic 2’ Review: Sandra Bullock and Nicole Kidman Break Hearts in a Spellbinding Sequel
  Indie Wire
• ‘Alpha Gang’ Review: Léa Seydoux Leads an All-Star Cast of Motorcycle-Loving Aliens in the Zellner Brothers’ Wacky Sci-Fi Pastiche
  Indie Wire
• The Downtown Festival Sets 2026 Film Lineup, Including Paul Schrader, Ethan Hawke and Siyou Tan
  Indie Wire
• TIFF Finally Has a Formal Film Market, but Sellers and Buyers Still Don’t Know What to Expect
  Indie Wire
• ‘Musk’ Review: Alex Gibney’s Distressing Biography of an Uber-Wealthy Tech Bro Is Less Bombshell Than Summary of How We Got Here
  Indie Wire
• Alex Gibney Warns Elon Musk’s DOGE Data Could Be Used ‘for an AI to Influence the Election’
  Indie Wire
• ‘Musk’ Teaser: The Wealthiest Man in the World Becomes Alex Gibney’s Latest Documentary Subject
  Indie Wire