Film News 2026-09-07

• ‘Lanterns’ Review: Episode 4 Is All About ‘The Weenie'(s) — Spoilers
  Indie Wire
• A24 Reveals Telluride Secret Screening: It’s Nathan Fielder and Lance Oppenheim’s Documentary About Elizabeth Holmes
  Indie Wire
• Jesse Eisenberg’s ‘The Debut’ Serves Up an Oscar-Worthy Julianne Moore — Here’s How He Did It
  Indie Wire
• ‘Woman Unknown’ Review: May el-Toukhy’s Paranoid Period Thriller Depicts the Degradation of Women Accused of Sleeping with Nazis
  Indie Wire
• ‘Hombre Al Agua’ Review: Gael García Bernal’s Meta Reflection on Narrative Fascinates and Frustrates
  Indie Wire
• ‘The Echo Chamber’ Review: Luca Marinelli and Alicia Vikander Are Sublime in a Brooding Addiction Romance Directed from Bertolucci’s Last Script
  Indie Wire
• Creative Arts Emmys Night 1: Strong Showings for Bad Bunny, the Muppets, and ‘The Traitors’
  Indie Wire
• ‘The Difficult Bride’ Review: A Haunted Bridal Parlor Drama with Untapped Potential
  Indie Wire
• ‘Possible Love’ Review: Two Married Couples Begin to Covet Each Others’ Lives in the Latest Stunner from ‘Burning’ Director Lee Chang-dong
  Indie Wire
• ‘The Debut’ Review: Julianne Moore Shines in Jesse Eisenberg’s Story of Midlife Reinvention in Community Theater
  Indie Wire
• Susan Sarandon Says Roles Are Still Being ‘Taken Away’ from Her Amid Support of Palestine
  Indie Wire
• Danny Boyle Talks Returning to Telluride and Fighting to Make His Tabloid Sensation ‘Ink’
  Indie Wire