Film News 2026-09-06

• Danny Boyle Talks Returning to Telluride and Fighting to Make His Tabloid Sensation ‘Ink’
  Indie Wire
• ‘The Illusion of an Everlasting Summer’ Review: A Photographer’s Portrait of Two Argentine Cousins Poignantly Captures the Passage of Time
  Indie Wire
• ‘Making Marie Antoinette’ Review: Eleanor Coppola’s Tender Documentary About Her Daughter’s Masterpiece Doubles as a Wistful Self-Portrait
  Indie Wire
• ‘Oasis: Don’t Look Back in Anger’ Review: The Gallaghers’ Concert Doc Is a Reason for Celebration
  Indie Wire
• Robert Pattinson Won’t Be the Only ‘Primetime’ Star to Generate Oscar Buzz
  Indie Wire
• ‘Elsinore’ and ‘The Liberation’ Launch TV Stars Andrew Scott and Carrie Coon Into the Oscar Race
  Indie Wire
• ‘The Difficult Bride’ Turns South Asia’s Beloved Wedding Tropes Into Feminist Folk Horror at Venice
  Indie Wire
• What I Learned Watching Six Hours of Gen-AI Short Films for the Reply AI Film Festival
  Indie Wire
• ‘Primetime’ Review: Robert Pattinson Is Even Creepier Than IRL Chris Hansen in a Bleakly Invigorating ‘To Catch a Predator’ Thriller
  Indie Wire
• ‘Citizen Osama’ Review: A Direct, Disarming View of Daily Horrors in Gaza from the POV of a Journalist and New Father
  Indie Wire
• ‘The Row’ Review: A Man Rows Across the Atlantic in a Documentary that Makes His Inspirational Voyage Feel More Like a Vanity Project
  Indie Wire
• ‘Elsinore’ Review: Andrew Scott’s Towering Performance as a Dying Actor Can’t Overcome AIDS-Movie Awards Bait Clichés
  Indie Wire