Film News 2026-09-05

• What I Learned Watching Six Hours of Gen-AI Short Films for the Reply AI Film Festival
  Indie Wire
• ‘Primetime’ Review: Robert Pattinson Is Even Creepier Than IRL Chris Hansen in a Bleakly Invigorating ‘To Catch a Predator’ Thriller
  Indie Wire
• ‘Citizen Osama’ Review: A Direct, Disarming View of Daily Horrors in Gaza from the POV of a Journalist and New Father
  Indie Wire
• ‘The Row’ Review: One Man’s Tragedy-Inspired Voyages Across the Pacific Are Turned Into a Branding Exercise
  Indie Wire
• ‘Elsinore’ Review: Andrew Scott’s Towering Performance as a Dying Actor Can’t Overcome AIDS-Movie Awards Bait Clichés
  Indie Wire
• ‘The Idiot(s)’ Review: Johnny Flynn and Aimee Lou Wood Suffer Rapturously in Surreal Russian Lit Biopic
  Indie Wire
• This September, ‘Remember Me’: The 2010 Robert Pattinson Film That Sounds Like Something He Made Up
  Indie Wire
• ‘A Long Winter’ Review: Andrew Haigh Goes Cold with an Immaculately Crafted Coming-of-Age Story Too Restrained for Its Own Good
  Indie Wire
• ‘Tender Loving Care’ Review: Kate O’Flynn Astonishes in Mike Leigh’s Simple but Profoundly Moving Final Film
  Indie Wire
• Inside the Telluride Opening Day Brunch: John Malkovich, Carrie Coon, and the Questions on Everyone’s Minds
  Indie Wire
• ‘Chronovisor’ Directors Measured Twice and Cut Film Once to Tell a Text-Based Thriller
  Indie Wire
• ‘The Basics of Philosophy’ Review: Paul Schrader’s Lurid Study of a Predatory Intellectual Is Quietly Explosive, but Not Dangerous Enough
  Indie Wire