Film News 2026-09-03

• ‘By Any Means’ Review: Tragic American History Takes the Shape of Classic Buddy Cop Tropes
  Indie Wire
• ‘Too Much Sugar’ Review: Robert Greene Continues Pushing Art as Therapy to New Heights
  Indie Wire
• ‘La Bola Negra’: Before Netflix’s Gay Epic Became an Oscar Frontrunner, It Had to Survive the Breakup of Its Directors
  Indie Wire
• Telluride 2026: New Movies Starring Andrew Scott, Julianne Moore, and John Malkovich Anchor This Year’s Likely Oscar Contenders
  Indie Wire
• ‘Bucking Fastard’ Review: The Mara Sisters Commit to Werner Herzog’s Wonderfully Weird Bit as Lovestruck Twins Who Move and Speak in Unison
  Indie Wire
• ‘Mayday’ Directors John Francis Daley and Jonathan Goldstein on the Cold War Thriller and Their Plans for a ‘Dark’ ‘Star Trek’ Reboot
  Indie Wire
• Fans Will Always Argue About Who Is the Best James Bond, but ‘Live and Let Die’ Makes the Answer Clear
  Indie Wire
• ‘Everest: The Other Side’ Review: A Grieving Ski Mountaineer Scales the Face of Death in Chai Vasarhelyi and Jimmy Chin’s Climbing Doc
  Indie Wire
• Can Rupert Murdoch Origin Story ‘Ink’ Push Danny Boyle, Jack O’Connell, Guy Pearce, and Netflix Into the Oscar Race?
  Indie Wire
• How Trump’s Call for a Federal Film Production Incentive Could Actually Help Hollywood
  Indie Wire
• ‘Chronovisor’ Review: An Occult Thriller Turns Academic Obsession Into Something Beguiling and Wildly Compelling
  Indie Wire
• ‘Ink’ Review: Danny Boyle’s Rupert Murdoch Pressure Cooker Is a Journalism Thriller Tabloid-Ready for Our Political Apocalypse
  Indie Wire