Film News 2026-08-26

• ‘The Dog Stars’ Review: Jacob Elordi and Josh Brolin Can’t Save Ridley Scott’s Bizarrely Inert Post-Apocalypse Movie from Near-Disaster
  Indie Wire
• Martin Short Explains Why He’s Never Seen a Shrink: ‘It’s OK to Be Sad’
  Indie Wire
• Dolly Parton, Iconic Singer/Songwriter and ‘9 to 5’ Star, Dies at 80
  Indie Wire
• ‘The Sun Never Sets’ Review: A Career-Best Dakota Fanning Navigates Dueling Love Triangles in Joe Swanberg’s Delightful Alaskan Romance
  Indie Wire
• ‘Boorman and the Devil’ Review: This Deep Dive Into How ‘Exorcist II: The Heretic’ Spiraled Out of Control Deserves a Wide Release
  Indie Wire
• ‘NAZA’ Documentary from ‘No Other Land’ Directors Yuval Abraham and Rachel Szor Sets North American Premiere at NYFF
  Indie Wire
• Modern Hollywood Keeps Failing Looney Tunes. Will ‘Coyote vs. Acme’ Finally Get It Right?
  Indie Wire
• Universal Film, Focus Features Extend Partnership with Sundance Institute to Support Rising Filmmakers
  Indie Wire
• Paul Thomas Anderson’s New Concert Film ‘Cameron Winter at Carnegie Hall’ Sets Fall Roadshow Release
  Indie Wire
• ‘The Pitt,’ ‘All Her Fault,’ and More Among Nominees for The DARCYS 2026
  Indie Wire
• TIFF Will Honor Penélope Cruz, Lee Chang-dong, Fan Bingbing, Helen Mirren, Isabelle Huppert, and More
  Indie Wire
• ‘Ali G: Who Iz I?’ Trailer: Sacha Baron Cohen Resurrects His Original Man-on-the-Street Character
  Indie Wire