Film News 2026-08-10

• How a Grassroots Campaign Helped Bring Back the Cinerama Dome
  Indie Wire
• As ‘Tromeo & Juliet’ Turns 30, Lloyd Kaufman Measures His Success in Fan Tattoos
  Indie Wire
• Why Do Most Biopics Stink? ‘Tony’ and ‘BlackBerry’ Director Matt Johnson Explains
  Indie Wire
• ‘Camp Miasma’ Raises an Important Question: How Are Our Favorite Slasher Franchises Doing?
  Indie Wire
• How Can 1980’s ‘The Return of the King’ Spoil Everything — and Ruin Nothing?
  Indie Wire
• ‘Teenage Sex and Death at Camp Miasma’ Is Bloodthirsty for Artifice
  Indie Wire
• 16 Years at IndieWire, and My Last Issue of In Development
  Indie Wire
• ‘Paradise’ Director Hanelle M. Culpepper on Why Great Sci-Fi Shows Sweat the Small Stuff
  Indie Wire
• ’Donkey Princess’ Review: A French Fairytale Gets a Stunning Reimagining from Two Animation Legends
  Indie Wire
• Sundance 2026 Movies Sold: ‘The Gallerist’ with Natalie Portman and Jenna Ortega Acquired by Roadside Attractions and Vertical
  Indie Wire
• ‘Super Troopers’ Oral History: Mutiny on the Highway, Adam Sandler’s Advice, and a Real Crime
  Indie Wire
• The Secret Is Out: ‘Sugar’ Season 2 Got Good
  Indie Wire