Film News 2026-08-07

• For Emmy Nominee Betty Gilpin, ‘Widow’s Bay’ Is ‘the Ultimate F**k You to Safe, Algorithm-Friendly, ChatGPT’ TV
  Indie Wire
• How Faithful Is ‘Tony’ to Anthony Bourdain’s Life?
  Indie Wire
• Casting Director Kim Taylor-Coleman Re-Elected as President of the Academy Foundation Board
  Indie Wire
• ‘The Only Living Pickpocket in New York’ Trailer: John Turturro Is an Aging Thief in a New Era of Crime
  Indie Wire
• Willem Dafoe on ‘Late Fame,’ Disappearing but Not Losing Himself in Roles, and How He Keeps in Touch with Lars von Trier
  Indie Wire
• Kleber Mendonça Filho’s Documentary Short About Jafar Panahi to Premiere at NYFF
  Indie Wire
• After the Year of ‘Obsession,’ TIFF’s 2026 Midnight Madness Lineup Promises a Scary-Good Bent Toward ‘Escalation’
  Indie Wire
• ‘Primetime’ Trailer: Robert Pattinson Is Chris Hansen in Icy Retelling of the ‘To Catch a Predator’ Story
  Indie Wire
• Some of TV’s Top Stars Have Yet to Win an Emmy
  Indie Wire
• ‘One Night Only’ Review: Fascism Gets Off Easy in This Flirty Humiliation Ritual for Will Gluck Fans
  Indie Wire
• ‘Sterling Point’ Review: Megan Park’s Teen Drama Is a Delightful Summer Escape — and Honest Where It Counts
  Indie Wire
• ‘Super Troopers 3’ Review: A Cult Comedy Franchise Takes a Mustache Ride Toward Mediocrity
  Indie Wire