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Film News 2026-07-31
‘Time Warp’ Review: Young and Queer ‘Rocky Horror’ Fans Stage a Small-Town Drag Production Worthy of Christopher Guest
Indie Wire
‘Wild Inside’ Review: Flaco the Owl Can Still Change Your Life (and Maybe the World)
Indie Wire
‘Boorman and the Devil’ Trailer: David Kittredge’s Brilliant Doc Gives ‘Exorcist II’ Its Due in Theaters
Indie Wire
How Ngozi Onwurah’s Dystopian ‘Welcome II the Terrordome’ Went from Lost ’90s Black Indie to Long-Overdue Rediscovery
Indie Wire
Cannes 2026 Movies Sold: Andy Garcia’s Throwback Detective Noir ‘Diamond’ Goes to Sony Pictures Classics
Indie Wire
‘Fightland’ Review: 50 Cent’s Starz Boxing Drama Is All Hype and No Hooks
Indie Wire
‘Victorian Psycho’ Trailer: Maika Monroe Is a Crazed Governess in a Period Slasher
Indie Wire
Jane Schoenbrun and the ‘Teenage Death and Sex at Camp Miasma’ Team Delivered a Sexy, Sapphic ‘Secretary’ Live Reading
Indie Wire
The Secret to Bleecker Street’s ‘Hadestown’ Success: Let the Audience Lead
Indie Wire
The Academy Re-Elects Producer Lynette Howell Taylor as Its President
Indie Wire
Paul Schrader on the 50-Year-Old ‘Obsession’ That Broke Him and Brian De Palma Apart
Indie Wire
‘Diarra from Detroit’ Is the Detective Hangout Comedy You Didn’t Know You Needed
Indie Wire
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