Film News 2026-06-17

• ‘Widow’s Bay’ Finale Suggests Laughing at Life’s Horrors Instead of Living in Dread — Spoilers
  Indie Wire
• ‘Monster: The Ed Gein Story’ Composer Mac Quayle Turned a Horror Theme Into a Funeral Song — Watch
  Indie Wire
• ‘Spider-Noir’ Composers Kris Bowers and Michael Dean Parsons Drew from Noir History and ’90s Punk to Create a New York Score — Watch
  Indie Wire
• ‘The Madison’ Composer Brenton Vivian Let Michelle Pfeiffer’s Performance Shape His Score — Watch
  Indie Wire
• ‘Murderbot’ Composer Amanda Jones Tailored Her Score to Alexander Skarsgård’s Performance
  Indie Wire
• ‘Girls Like Girls’ Review: Hayley Kiyoko Gives Tumblr Lesbians a Dreamy Excuse to Kiss at the Movies
  Indie Wire
• ‘The Boroughs’ Composer John Paesano Used Old Techniques to Create His Show’s Vibrant Score — Watch
  Indie Wire
• VFX Supervisors Explain Why Their Jobs Start Long Before Post-Production — Watch
  Indie Wire
• TV Production Designers Talk Evolving Without Losing Their Original Vision at IndieWire’s Craft Roundtables — Watch
  Indie Wire
• A Fox-Roku Merger Is Just More Industry Consolidation, but Creators Shouldn’t Sweat It Yet
  Indie Wire
• ‘The Chair Company’ Is Tim Robinson’s World, but His Co-Stars Are Thrilled to Live in It
  Indie Wire
• ‘St. Denis Medical’ Team on How Great Jokes Beget More Great Jokes in NBC’s Smart, Layered Sitcom
  Indie Wire