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Film News 2026-02-18
‘How to Make a Killing’ Review: Glen Powell Stars in a Kill-the-Rich Satire with Absolutely No Bite
Indie Wire
‘Wuthering Heights’ Puts Emerald Fennell in the Conversation for Highest-Grossing Female Directors
Indie Wire
Will Warner Bros. Discovery Opening Up Merger Talks Again Finally Bring Some Clarity to the Paramount vs. Netflix Back and Forth?
Indie Wire
The Spirit Awards No Longer Define Independent Film. And That’s the Point
Indie Wire
‘My Wife Cries’ Review: Angela Schanelec’s Marriage Story Is a Moving, Mysterious Humanist Marvel
Indie Wire
‘Rose’ Review: A Gender-Bending Sandra Hüller Astounds in a 17th-Century Historical Fiction Knockout of Devastating Power
Indie Wire
Oscar-Nominated ‘It Was Just an Accident’ Co-Screenwriter Mehdi Mahmoudian Has Been Released from Iranian Prison
Indie Wire
Richard Baneham and Eric Saindon on the ‘Never Easy’ Visual Effects of ‘Avatar: Fire and Ash’
Indie Wire
Mike Leigh, Adam McKay, Tilda Swinton, and More Berlin Alumni Sign Open Letter Denouncing Fest’s ‘Silence’ and ‘Censoring’ on Gaza
Indie Wire
‘The Perfect Neighbor’ Is Coming for That Best Documentary Oscar
Indie Wire
‘Midwinter Break’ Review: Lesley Manville and Ciarán Hinds Go on One of the Most Depressing Movie Vacations Since Antonioni Made Them a Thing
Indie Wire
‘Queen at Sea’ Review: Juliette Binoche Guides Director Lance Hammer Back to Screens with a Searing Film About Dementia and Consent
Indie Wire