Film News 2025-12-27

• Inside How Josh Safdie Filmed the Ping-Pong Matches in ‘Marty Supreme’
  Indie Wire
• A Chance Encounter on ‘Oppenheimer’ Made ‘The Smashing Machine,’ and Emily Blunt’s Riveting Performance, a Reality
  Indie Wire
• Here’s What’s Entering the Public Domain in 2026
  Indie Wire
• How ‘The Testament of Ann Lee’ Used Dance to Turn the Shakers Into ‘Antennas to God’
  Indie Wire
• All the ‘Stranger Things’ Main Characters Should Live, Actually
  Indie Wire
• Raphael Saadiq Counts ‘Sinners’ Director Ryan Coogler Among the ‘Visionaries’ Inspiring His Best Work
  Indie Wire
• Paul Schrader Dismisses ‘Eyes Wide Shut’ as a Descent Into ‘Sex Party Crazyland’ Right in Time for Christmas
  Indie Wire
• ‘Peaky Blinders: The Immortal Man’ Teaser: It’s a Bleak but Festive Birmingham Winter in Sequel Film
  Indie Wire
• ‘Song Sung Blue’ Review: Hugh Jackman and Kate Hudson Form a Neil Diamond Tribute Act in a Film as Sentimental as His Music
  Indie Wire
• ‘The Testament of Ann Lee’ Review: Amanda Seyfried Is a Singing Female Christ Figure in Mona Fastvold’s Incredible Quasi-Musical About the Shaker Prophet
  Indie Wire
• ‘The Plague’ Review: Charlie Polinger’s Debut Takes Body Horror and ‘Lord of the Flies’ Into Extraordinary, Emotional Spaces
  Indie Wire
• How ‘Marty Supreme’ Yes-ands the Casting Process
  Indie Wire