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Film News 2025-12-26
Raphael Saadiq Counts ‘Sinners’ Director Ryan Coogler Among the ‘Visionaries’ Inspiring His Best Work
Indie Wire
Paul Schrader Dismisses ‘Eyes Wide Shut’ as a Descent Into ‘Sex Party Crazyland’ Right in Time for Christmas
Indie Wire
‘Peaky Blinders: The Immortal Man’ Teaser: It’s a Bleak but Festive Birmingham Winter in Sequel Film
Indie Wire
‘Song Sung Blue’ Review: Hugh Jackman and Kate Hudson Form a Neil Diamond Tribute Act in a Film as Sentimental as His Music
Indie Wire
‘The Testament of Ann Lee’ Review: Amanda Seyfried Is a Singing Female Christ Figure in Mona Fastvold’s Incredible Quasi-Musical About the Shaker Prophet
Indie Wire
‘The Plague’ Review: Charlie Polinger’s Debut Takes Body Horror and ‘Lord of the Flies’ Into Extraordinary, Emotional Spaces
Indie Wire
How ‘Marty Supreme’ Yes-ands the Casting Process
Indie Wire
The ‘Pluribus’ Finale Defines Humanity’s Point of No Return in the Cutest Way Possible
Indie Wire
How Editor Affonso Gonçalves Made the Play the Thing in ‘Hamnet’
Indie Wire
Cutting ‘Springsteen: Deliver Me from Nowhere’ Meant Conducting Jeremy Allen White’s Acting and Bruce Springsteen’s History Like a Live Duet
Indie Wire
‘Dead Man’s Wire’ Editor Saar Klein on Preserving Anarchic Energy for Gus Van Sant’s Hostage Thriller
Indie Wire
Michael B. Jordan Shares How He and Director Ryan Coogler Became ‘Something People Can Count On’
Indie Wire