Film News 2025-12-24

• How Editor Affonso Gonçalves Made the Play the Thing in ‘Hamnet’
  Indie Wire
• Cutting ‘Springsteen: Deliver Me from Nowhere’ Meant Conducting Jeremy Allen White’s Acting and Bruce Springsteen’s History Like a Live Duet
  Indie Wire
• ‘Dead Man’s Wire’ Editor Saar Klein on Preserving Anarchic Energy for Gus Van Sant’s Hostage Thriller
  Indie Wire
• Michael B. Jordan Shares How He and Director Ryan Coogler Became ‘Something People Can Count On’
  Indie Wire
• How James Cameron Keeps a Fresh Perspective After Decades of ‘Avatar’
  Indie Wire
• ‘BLKNWS: Terms & Conditions’ Editor on Assembling a Film That’s Designed to Be Enjoyed Like an Album
  Indie Wire
• ‘A House of Dynamite’ Editor Kirk Baxter on Why the Script ‘Frightened’ Him, but Also Felt Like It Was Written for Him
  Indie Wire
• Ryan Coogler and Ben Stiller Discuss the Generational Influences Behind ‘Sinners’
  Indie Wire
• ‘Sinners’ Editor Michael Shawver on Why Parameters Can Be a Source of Freedom
  Indie Wire
• ‘Anaconda’ Review: Paul Rudd and Jack Black Star in Lazy Meta-Sequel That Squeezes All the Fun Out of Self-Reflexive Premise
  Indie Wire
• James Cameron and Sigourney Weaver on Their 40-Year Collaboration
  Indie Wire
• Craig Brewer on Turning ‘Song Song Blue’ from True Story to Capraesque Fable: ‘Everybody in Town Said No’
  Indie Wire