Film News 2025-11-27

• ‘Stranger Things’ Season 5 Leaves You Wanting Less
  Indie Wire
• ‘BLKNWS’: How a Cable News Alternative Became 2025’s Most Groundbreaking Film
  Indie Wire
• Getting on ‘A House of Dynamite’ Early Let Paul N.J. Ottosson Create a Sound Mix He Hated — Until He Loved It
  Indie Wire
• Laura Poitras Chased Investigative Journalist Seymour Hersh for 20 Years — and Finally Bagged Him for One of the Year’s Best Docs
  Indie Wire
• ‘The Secret Agent’ Review: Wagner Moura Tries to Leave History Behind in Kleber Mendonça Filho’s Beautifully Remembered Period Thriller
  Indie Wire
• Chloé Zhao Knows How to Make You Cry: The ‘Hamnet’ Director Digs Deep on Her Surefire Oscar Contender
  Indie Wire
• Brazil’s Film Industry Is Winning Oscars — but Losing Momentum at Home
  Indie Wire
• Behind the ‘Eyes Wide Shut’ Team’s Battle with the MPA After Stanley Kubrick’s Death — and the Moment That Scandalized the Ratings Board
  Indie Wire
• Does ‘The Beatles Anthology’ Really Need Another Encore?
  Indie Wire
• It’s Too Late for ‘Wicked’ — Will Studios Ever Give Up the Failed Two-Part Finale Model for Good?
  Indie Wire
• Trump Reportedly Lobbies Paramount to Distribute ‘Rush Hour 4’: A Glimpse of the Studio’s Ellison-Led Future?
  Indie Wire
• To Write Music for 1945 in ‘Nuremberg,’ Brian Tyler Had to Begin in 1933
  Indie Wire