Film News 2025-11-25

• ‘Zootopia 2’ Review: Pro-Equality, Anti-Racist, and Very Funny, Oh My!
  Indie Wire
• Jon M. Chu Wants to Burst Your Bubble: Understanding Circles in ‘Wicked: For Good’
  Indie Wire
• Rising Distributor The Forge Picks Up Czech Smash Hit ‘Waves’
  Indie Wire
• ‘Sinners’ Only Needed One Weekend to Remind Everyone It’s a Major Awards Contender
  Indie Wire
• Todd Field on ‘Eyes Wide Shut’ and His First Meeting with Stanley Kubrick: ‘I Know Who the F**k You Are, I Hired You’
  Indie Wire
• Glen Powell Offs His Family to Jumpstart an Inheritance in ‘How to Make a Killing’ Trailer
  Indie Wire
• Catherine Corcoran Just Launched a New Production Company for Women and Underrepresented Voices
  Indie Wire
• ‘Wake Up Dead Man’ Review: Rian Johnson’s Third Knives Out Mystery Is a Darker, Poe-Inspired Tale for the Age of Disinformation
  Indie Wire
• Rose Byrne and Mary Bronstein Break Down ‘If I Had Legs I’d Kick You’: The Title, ‘Uncut Gems’ Comparisons, and the Film’s Own Many Breakdowns
  Indie Wire
• ‘Hamnet’ Review: Paul Mescal and Jessie Buckley Rip the Heart Right Out of Your Body in Chloé Zhao’s Unspeakably Devastating Shakespeare Fanfic
  Indie Wire
• ‘Blossoms Shanghai’ Review: Wong Kar Wai’s 30-Episode TV Series Is a Swanky, Melodramatic Whirlwind
  Indie Wire
• ‘Dead Man’s Wire’ Trailer: Gus Van Sant Directs Antihero Bill Skarsgård in a ’70s True Crime Throwback
  Indie Wire