Film News 2025-11-19

• ‘Rental Family’ Review: Brendan Fraser Sells Happiness in a Gig Economy Drama About the Reality of the Roles We Play
  Indie Wire
• Jafar Panahi to Tour U.S. for the First Time — and a New Short Film Will Document His Trip
  Indie Wire
• Jodie Foster Narrates Morgan Neville’s Newest Documentary, All About the Iconic Movies of 1975
  Indie Wire
• For ‘After the Hunt’ Casting Director Jessica Ronane, Having Julia Roberts Already Attached Only Opened Up More Possibilities
  Indie Wire
• The Greatest Trick the ‘Now You See Me’ Films Have Pulled Is Quietly Dominating the Box Office
  Indie Wire
• IDA Documentary Awards Announces 2025 Nominees: ‘Apocalypse in the Tropics,’ ‘The Tale of Silyan,’ and More
  Indie Wire
• ‘The Testament of Ann Lee’ Cinematographer Will Rexer on Crafting an Epic Historical Musical in 34 Days
  Indie Wire
• ‘Hedda’ Director Nia DaCosta and Star Tessa Thompson on Making a Successful Adaptation: ‘Implicate Yourself’
  Indie Wire
• How ‘One to One: John and Yoko’ Finds the Footage John Lennon Would’ve Loved
  Indie Wire
• American Cinematheque to Lead Operations of Historic Westwood Village Theater
  Indie Wire
• ‘Thoughts & Prayers’ Review: A Damning HBO Documentary Explores the Mass Psychosis of America’s Gun Epidemic
  Indie Wire
• ‘Wicked: For Good’ Review: The Finale of a Needlessly Two-Part Movie Musical Adaptation Doesn’t Go Out on a High Note
  Indie Wire