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Film News 2025-10-08
Nobody Brags About an Algorithm: As Awards Embrace All Platforms, Everybody Wins
Indie Wire
AI Recreations of Robin Williams Disgust His Daughter, Zelda: It’s ‘The Human Centipede of Content’
Indie Wire
Michael Mann’s ‘Heat 2’ Picks Up Steam, This Time with Leonardo DiCaprio Circling
Indie Wire
‘Every Day, I Had to Reinvent How to Keep This Thing on’ — The Hair Design of ‘The Smashing Machine’
Indie Wire
‘Urchin’ Review: Harris Dickinson’s Bracing Directorial Debut Offers a Modern Riff on Mike Leigh’s ‘Naked’
Indie Wire
I Saw ‘One Battle After Another’ Six Times in Six Formats in Six Days
Indie Wire
Sales So Far Out of Venice, TIFF, and Telluride: ‘Silent Friend’ with Léa Seydoux and Tony Leung Chiu-Wai Bought by 1-2 Special
Indie Wire
‘Tron: Ares’ Review: An AI Jared Leto Discovers His Humanity in a Sleek but Programmatic Sequel
Indie Wire
Kathryn Bigelow’s Riveting Nuclear Thriller ‘A House of Dynamite’ Scared Star Rebecca Ferguson, Too
Indie Wire
‘Marty Supreme’ Brings Down the House as Surprise NYFF Screening: ‘Major, Exhilarating Filmmaking’ and Timothée Chalamet’s ‘Best Performance Yet’
Indie Wire
2025 Student Academy Awards Winners Are Announced in New York City
Indie Wire
How Beyond Fest Locked Guillermo del Toro’s ‘Frankenstein’ — with Less Than 24 Hours Notice
Indie Wire