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Film News 2025-10-03
How Did an X-Rated Movie Called ‘F*ck My Son!’ Become a Battleground for AI Misinformation?
Indie Wire
Yes, Daniel Day-Lewis’ Infamous Method Acting Style Is Just Like You’ve Heard, According to His Son
Indie Wire
‘Orwell 2 + 2 = 5’ Review: A Chilling Examination of How Much the Nightmare of ‘1984’ Has Come True
Indie Wire
Joachim Trier Tells Us He’d Never ‘Begged an Actor’ to Work with Him Before — Until ‘Mr. Cinema’ Stellan Skarsgård
Indie Wire
Mark Kerr Didn’t Want the Darkest Parts of His Life Sanitized for ‘The Smashing Machine’
Indie Wire
‘Kill Bill: The Whole Bloody Affair’ to Receive Nationwide Release — We Called It Tarantino’s Best Movie
Indie Wire
Keep Calm and ‘Rocky Horror’ on: The 50-Year-Old Cult-Film Comfort Watch Just Took Over Los Angeles
Indie Wire
Renate Reinsve Overcame Fears to Star in ‘Sentimental Value,’ While Elle Fanning Felt ‘Spoiled’ to Be on a Joachim Trier Set
Indie Wire
What Turns Filmmaker Shane Black on About Today’s Action Landscape? The ‘Competence Porn’ of ‘Play Dirty’
Indie Wire
If Ebertfest Comes to an End, It’s a Huge Loss for Film Fans Who Aren’t Chasing That Awards Calendar
Indie Wire
‘V/H/S/Halloween’ Review: Alex Ross Perry’s Evil Short About a Cursed Video Store Highlights an Uneven Volume of the Annual Horror Anthology
Indie Wire
Sundance Won’t Save Filmmakers, but Communities Might
Indie Wire