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Film News 2025-09-27
Nexstar and Sinclair Will Now Air ‘Jimmy Kimmel Live!,’ Ending Its Preemption in Multiple Major Cities
Indie Wire
‘Gavagai’ Rewrites ‘Medea’ as a Portrait of Racial Cluelessness in the Privilege-Prone Film Industry
Indie Wire
Aaron Sorkin’s ‘Social Network’ Follow-Up Will Star Jeremy Strong — Not Jesse Eisenberg — as Mark Zuckerberg
Indie Wire
‘One Battle After Another’ Box Office, What to See at NYFF, and the Latest with Jimmy Kimmel — Screen Talk
Indie Wire
The Man Who Was Almost There: Why Leonardo DiCaprio’s Performance in ‘One Battle After Another’ Finally Delivers on His Ultimate Potential as an Actor
Indie Wire
Fall Festival Preview: 42 Must-See Films Playing at the Venice, Toronto, and New York Film Festivals
Indie Wire
The Young Stars of ‘Wayward’ Delighted in Stepping Into Mae Martin’s Troubled Teen Nightmare
Indie Wire
Even IndieWire’s Own Staff Cannot Agree on the Best Format for Seeing ‘One Battle After Another’
Indie Wire
‘Eleanor the Great’ Review: Don’t Let the Feel-Good Plotline of Scarlett Johansson’s June Squibb-Starring Directorial Debut Fool You
Indie Wire
Sales So Far Out of Venice, TIFF, and Telluride: Maude Apatow’s Directorial Debut ‘Poetic License’ Is Row K’s 3rd Festival Acquisition
Indie Wire
Every Paul Thomas Anderson Movie, Ranked from Worst to Best — Including ‘One Battle After Another’
Indie Wire
‘Homebound’ Review: Neeraj Ghaywan’s Arresting Drama Is an Urgent Indian and Global Story
Indie Wire