Film News 2025-09-26

• Sales So Far Out of Venice, TIFF, and Telluride: Maude Apatow’s Directorial Debut ‘Poetic License’ Is Row K’s 3rd Festival Acquisition
  Indie Wire
• Every Paul Thomas Anderson Movie, Ranked from Worst to Best — Including ‘One Battle After Another’
  Indie Wire
• ‘Homebound’ Review: Neeraj Ghaywan’s Arresting Drama Is an Urgent Indian and Global Story
  Indie Wire
• Ida Lupino’s Best Performance Is Ready for Rediscovery on Blu-ray
  Indie Wire
• Henry Jaglom’s 22 Films Represent One of the Great Bodies of Work in American Independent Cinema
  Indie Wire
• That MUBI Controversy Hasn’t Gone Away: Los Angeles Festival of Movies Drops Sponsor Over Investor’s Israeli Defense Ties
  Indie Wire
• ‘Nobody Wants This’ Season 2 Trailer: Adam Brody and Kristen Bell Become a ‘We’
  Indie Wire
• If AI Was Really Used to Censor ‘Together’ in China, It Represents a Potentially Terrifying Future
  Indie Wire
• Tribeca Festival Reveals Dates and Details for 25th Edition in 2026
  Indie Wire
• Netflix Picks Up Laura Poitras and Mark Obenhaus’ Documentary ‘Cover-Up’
  Indie Wire
• ‘A House of Dynamite’ Trailer: Kathryn Bigelow Pushes the Tension to the Breaking Point in Nuclear Missile Thriller
  Indie Wire
• Kiyoshi Kurosawa’s ‘Cloud’ Streams Soon on Criterion: The Master Explains How It’s an Ode to American Action Movies
  Indie Wire