Film News 2025-09-14

• ‘Saiyaara’ Hits Netflix: How the Star-Crossed Romance Captivated Bollywood Fans Around the World
  Indie Wire
• ‘Calle Malaga’ Review: Carmen Maura Shines in a Safe Latter-Life Drama
  Indie Wire
• ‘Driver’s Ed’ Review: Sam Nivola Stars in Bobby Farrelly’s Generic Throwback to the Days of ‘Road Trip’ and ‘American Pie’
  Indie Wire
• How to Watch and Stream the 2025 Emmy Awards
  Indie Wire
• ‘Wasteman’ Review: A Violent Prison Thriller Provides a Stellar Showcase for David Jonsson (but Little Else)
  Indie Wire
• ‘Easy’s Waltz’ Review: Vince Vaughn Charms His Way Through Nic Pizzolatto’s Low-Key Vegas Drama
  Indie Wire
• The Movies Are Meeting the Moment, but Distributors Are Still Scared of Palestine (and Three Other Lessons We Learned from the Fall Fests)
  Indie Wire
• Can ‘One Battle After Another’ Beat ‘Sinners’ and ‘Hamnet’ at the Oscars? — Screen Talk
  Indie Wire
• Michael Shannon on Finally Getting His Big Courtroom Drama with ‘Nuremberg,’ His Next R.E.M. Tour, and Playing Bill Parcells
  Indie Wire
• ‘Sunfish (& Other Stories on Green Lake)’ Review: A Gentle and Rewarding Debut Sails Around the Frustrations of Most Anthology Films
  Indie Wire
• ‘Is That Even Legal?’ and Other Burning Questions We Have About the News That Paramount Skydance Wants to Buy Warner Bros. Discovery
  Indie Wire
• Andrew DeYoung on the Films That Influenced ‘Friendship,’ PTA’s Brilliance, and Why Most Comedies Are Boring
  Indie Wire