Film News 2025-09-10

• ‘Wayward’ Review: Toni Collette Leads a Quirky Cult for Kids in Mae Martin’s Curious Netflix Thriller
  Indie Wire
• Judy Greer Traces the Winding Career Path That Led Her to ‘The Long Walk’
  Indie Wire
• ‘Only Murders in the Building’ and the Benefits of TV That Comes Out Every Year, Without Fail
  Indie Wire
• ‘The Christophers’ Review: Ian McKellen’s Best Screen Performance Since Gandalf Brings Some Much-Needed Life Back to Soderbergh’s Late Style
  Indie Wire
• ‘Dust Bunny’ Review: Bryan Fuller’s Directorial Debut Is a Wonderfully Whimsical and Deliciously Macabre Modern Fairytale
  Indie Wire
• Chloé Zhao Knows How to Make You Cry: The ‘Hamnet’ Director Digs Deep on Her Surefire Oscar Contender
  Indie Wire
• Sales So Far Out of Venice, TIFF, and Telluride: Gus Van Sant’s ‘Dead Man’s Wire’ Goes to Another New Distributor
  Indie Wire
• ‘California Schemin’ Review: James McAvoy Makes His Directorial Debut with a Real Biopic About a Fake Rap Group
  Indie Wire
• ‘Normal’ Review: The Jokes — and the Bullets — Fly Freely in Bob Odenkirk’s Latest Action-Hero Role
  Indie Wire
• ‘The Smashing Machine’ New Trailer: Benny Safdie, Dwayne Johnson, and Emily Blunt Follow Their Smash Venice Premiere with New Footage
  Indie Wire
• Everyone from Sydney Sweeney to Stephen Colbert Will Present at the 2025 Primetime Emmy Awards
  Indie Wire
• ‘Song Sung Blue’ Trailer: Hugh Jackman and Kate Hudson Fall in Love Set to the Music of Neil Diamond
  Indie Wire