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Film News 2025-09-02
The Best New Blu-ray and 4K Releases in September 2025
Indie Wire
‘Lost in the Jungle’ Review: The Team Behind ‘Free Solo’ Tells (Another) Harrowing Survival Story
Indie Wire
Gus Van Sant on the Luigi Mangione Link to His Hostage Thriller ‘Dead Man’s Wire,’ the Legacy of ‘Elephant,’ and Streaming vs. Theatrical
Indie Wire
‘The Smashing Machine’ Review: Dwayne Johnson Gets a Do-Over in Benny Safdie’s Endearing Anti-Awards-Bait MMA Biopic
Indie Wire
‘Tuner’ Review: A Revelatory Havana Rose Liu and Miscast Leo Woodall Lead a Pleasurable Romance About a Piano Tuner Turned Safe Cracker
Indie Wire
‘The Testament of Ann Lee’ Review: Amanda Seyfried Is a Singing Female Christ Figure in Mona Fastvold’s Incredible Quasi-Musical About the Shaker Prophet
Indie Wire
Dwayne Johnson Says ‘The Smashing Machine’ Couldn’t Happen ‘Without My Best Friend’ Emily Blunt
Indie Wire
‘Kim Novak’s Vertigo’ Review: Undercooked Doc Shows the Star of One of the Greatest Movies Ever Is Just as Obsessed with It as We Are
Indie Wire
Brady Corbet Champions ‘Final Cut’ for Directors Like Mona Fastvold, Who Made the Enormous ‘Testament of Ann Lee’ for $10 Million
Indie Wire
The Talk of Telluride Is Jesse Plemons’ Performance in ‘Bugonia’
Indie Wire
Telluride First Look: Ondi Timoner’s Wrenching Altadena Fire Short ‘All the Walls Came Down’
Indie Wire
‘Father Mother Sister Brother’ Review: Slow Cinema Poet Jim Jarmusch Channels Raymond Carver in Three Quietly Profound Family Stories
Indie Wire