Film News 2025-08-28

• Spike Lee’s Return to Katrina Is a Poignant, Cagey Prayer for a Brighter Future That Is Still Out of Sight
  Indie Wire
• Coppola Champions Herzog at Venice Film Festival Opening Ceremony: ‘If Werner Has Limits, I Don’t Know What They Are’
  Indie Wire
• ‘La Grazia’ Review: The President of Italy Tries to Get His Groove Back in Paolo Sorrentino’s Unusually Dull and Sexless Character Study
  Indie Wire
• Todd Haynes’ Gay Romance That Collapsed After Joaquin Phoenix Exit Could Be Revived with Pedro Pascal
  Indie Wire
• ‘Mother’ Review: Noomi Rapace Leads Uneven Mother Teresa Drama with a Fine Mix of Austerity and Doubt
  Indie Wire
• ‘The Toxic Avenger’ Could Have Gone the Way of ‘Batgirl’ — Instead, It Might Be the Next ‘Terrifier’-Sized Hit
  Indie Wire
• ‘Nuremberg’ Teaser: Russell Crowe and Rami Malek Engage in a Psychological Duel in the Aftermath of World War II
  Indie Wire
• Venice Jury Prez Alexander Payne Avoids Making Statement on Festival’s Reaction to War in Gaza
  Indie Wire
• ‘Caught Stealing’ Review: It’s a Swing and a Miss for Darren Aronofsky’s Grim Austin Butler-Starring NYC Crime Caper
  Indie Wire
• Get It Made Wants to Reframe Pay-to-Play in Hollywood
  Indie Wire
• ‘Chief of War’ Demonstrates the Fine Art of Lighting Things on Fire
  Indie Wire
• Meghann Fahy’s Favorite ‘Sirens’ Scene Was an 8-Page Fight with Milly Alcock That Felt Like a Rollercoaster
  Indie Wire