Film News 2025-08-17

• ‘And Just Like That’ Is Over. What Does That Mean for ‘Sex and the City’?
  Indie Wire
• Seth Rogen on Planning ‘The Studio’ Season 2 Cameos: ‘If One Person Says No, We Have to Throw the Entire Episode Away’
  Indie Wire
• How ‘Night Always Comes’ Cracks Action Sequences Wide Open
  Indie Wire
• Liked Sam Rockwell’s Instantly Iconic ‘The White Lotus’ Monologue? Thank Martin Sheen in ‘Apocalypse Now’
  Indie Wire
• ‘Splitsville’ Creators Michael Covino and Kyle Marvin Dig Into Their Comedy Process
  Indie Wire
• How ‘Dimension 20’ Brings Its Audience Into the Dome
  Indie Wire
• ‘Dry Leaf’ Review: Alexandre Koberidze’s Latest Is Low-Resolution and Hard Going
  Indie Wire
• Why Sterling K. Brown and Dan Fogelman Knew ‘Paradise’ Had to Shoot in L.A.: ‘We’ve Got to Keep Production Here So People Stay’
  Indie Wire
• If You Loved Francis Ford Coppola’s ‘The Rainmaker,’ the TV Show Is Something Else Entirely
  Indie Wire
• Announcing IndieWire’s ’70s Week!
  Indie Wire
• Pete Davidson Says He Made ‘SNL’ Feel ‘Tabloid-y’
  Indie Wire
• Denzel Washington: ‘I’m Not That Interested’ in Winning Oscars
  Indie Wire