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Film News 2025-08-12
You Hate AI. They Teach It Anyway.
Indie Wire
Spike Lee’s ‘Highest 2 Lowest’ Reinvents Kurosawa in the Canyons and Subways of New York
Indie Wire
For Warner Bros., Original Horror Has Scared Up Some of 2025’s Best Box Office Bets
Indie Wire
‘Freakier Friday’ Spotlights the ‘Perfect’ L.A. Record Parlour
Indie Wire
Ayo Edebiri Says Directing ‘The Bear’ Was Like ‘Making a Venn Diagram Out of a Thousand Circles’
Indie Wire
Do the ‘Time Warp’ Again When Cinespia Screens ‘Rocky Horror’ This October
Indie Wire
‘The Fin’ Review: A Compelling Sci-Fi Drama About Mutated Outcasts in a Seemingly Unified Korea
Indie Wire
‘Dracula’ Review: Radu Jude’s Gloriously Stupid Vampire Epic Is the First Movie to Make Any Meaningful Use of Generative AI
Indie Wire
The Early Aughts Are Back, Baby: ‘The Devil Wears Prada 2’ and ‘Freakier Friday’ Writers on Why Nostalgia Is Fueling Hollywood
Indie Wire
‘The Gilded Age’ Season 3 Finale Takes Bad Moms to Task — Including One Who Doesn’t Deserve It
Indie Wire
‘Springsteen: Deliver Me from Nowhere’ to Screen as NYFF’s 2025 Spotlight Gala
Indie Wire
Martin Scorsese Joins Friends and Colleagues to Honor Jonathan Kaplan: ‘He Was a Very Special Filmmaker’
Indie Wire