Rock News 2025-06-08

• Grimm Jack share video for new single “Knife Fight”
  Sleaze Roxx
• “They’ve always ignored the rule book in favour of new, often over-the-top ideas”: These are Muse’s proggiest moments
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• Sideburn drop video for new single “Devil’s daughter” from upcoming compilation album ‘Loaded (Best Of)’
  Sleaze Roxx
• Guns N’ Roses announce 13 tour dates in Latin America for the fall of 2025
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• “No, man! If we had had this level of success in the 70s we would not be here now. We would never have survived it”: The wild story of Aerosmith’s Pump, the album that turned them into superstars all over again
  Louder
• The biggest tour in the history of deathcore? Slaughter To Prevail announce 2026 European tour with Suicide Silence, Dying Fetus and reforming Annotations Of An Autopsy
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• SUiCiDE BOMBERS’ ‘The Hottest Tour to hit the UK this year’ – Tour Diary Part 11 — Final Instalment
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• “He saw what everybody saw: they could play, they had a ton of energy and they were authentic”: The weird story of Frank Zappa and AC/DC
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• Crashdïet sign with Ninetone & back in studio with ‘The Unattractive Revolution’ album producer
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• Overdrivers launch video for self-titled track from their new album ‘Glory or Nothing’
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• "It should have gone out with a fricking bang that shook the world, and it was more like a whimper." Michael Anthony on his Van Halen regret
  Louder
• Does a new-look Katatonia mean a bold new era? Of course not, but Nightmares As Extensions Of The Waking State is a gloomily gorgeous listen all the same
  Louder
• "These instruments are more than just tools of our trade - they're extensions of our musical souls": Nancy Wilson offers "no questions asked" reward for return of stolen Heart guitars
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• Cool new proggy sounds from Jakko Jakszyk, We Lost The Sea, Raphael Weinroth-Browne and more in Prog's new Tracks Of The Week!
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• “Not the work of the blues bruiser some supposed him to be, but of an expert in judging precisely when to hang back and when to hit hard”: Jack Bruce’s Harmony Row
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• Indian rock band go viral after flying across the world to cover Adele on America's Got Talent
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• Reunited Original Alice Cooper Group unveils video for new single “Wild Ones”
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• New Pink Floyd book celebrates the band's career with unpublished interviews and Syd Barrett's letters of the time
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• “Nothing in this band does what it's supposed to do”: how R.E.M. showed the world they were the real deal on 1985’s Fables Of The Reconstruction
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• Watch Creeper preview their forthcoming album Sanguivore II: Mistress Of Death with punky new single Headstones, which explores "the dark perils of rock ’n’ roll, sins of the flesh, and pure evil"
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• Guns N' Roses announce 2025 Latin American tour schedule
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• Notörious launch third single “Into The Night” from upcoming EP
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• "An album as full of joy as it is of craft": The Doobie Brothers bring back Michael McDonald on Walk This Road
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• Rush announce limited edition box set of their final four albums
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• "They could certainly all have been in Fleetwood Mac": Stevie Nicks likes Haim so much she's working on a new song with them
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• Watch Turnstile perform two songs on The Tonight Show with Jimmy Fallon ahead of today's release of new album Never Enough
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• Triumph to perform three-song set live without Mike Levine prior to Game 2 of NHL Playoff Finals
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• "Me and Ozzy were a team. I never thought, 'What about me?'" We chat to Sharon Osbourne about growing up in the music industry, her "confrontational" father, feuding with Iron Maiden and Billy Corgan and a whole load more
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• "I want it to be like a religious experience." Yungblud announces UK and Ireland arena tour
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• "The build up to the album has reached its zenith and you are elevated to the top of the soaring tomb." Katatonia share new video for Wind Of No Change
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• Roland Grapow feels ‘Chameleon’ was more like a solo album by three Helloween members
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• "We went to abandoned cemeteries at night, stole everything we could find." Black magic, human skulls and Aleister Crowley – the twisted story of Tobias Forge’s favourite cult horror-metal band, Death SS
  Louder
• “We went on our lunch break and when we got back, Tony had come up with the Paranoid riff. It was literally 25 minutes of work. People went nuts about it!”: How Black Sabbath made Paranoid, the iconic album that rubber-stamped their greatness
  Louder
• "Ma, I'm real sick. I need help. I got to come home": The trauma and triumph of Stevie Ray Vaughan
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• “You have to know Donald’s sense of humour. It was a total set-up”: Did Steely Dan’s Donald Fagen really tell the people behind the Yacht Rock movie to “F*** off”?
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• Babymetal name their favourite and most surprising collaborations on new album Metal Forth
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• “In the last 10 years no one has stepped up. Being the sole songwriter is sometimes very lonely”: Jonas Renske hopes Katatonia’s new era includes more input from his bandmates
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• “A tad dated today – but there’s no denying the compositional prowess”: Greenslade’s Large Afternoon returns in an expanded edition
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• The 12 new metal songs you need to hear this week
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• Babylon A.D. recall feeling pressured to record song “Psychedelic Sex Reaction” prior to second album
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• Eddie Trunk explains bassist Mike Levine’s absence for Triumph’s first live public gig in 17 years
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• Watch Bruce Springsteen and Paul McCartney covering The Beatles onstage in Liverpool last night
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• “It still doesn’t feel real that we’re supporting Slayer”: Neckbreakker released one of 2024’s most exciting metal debut albums. Now they’re about to live their biggest dream.
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• "I can allow myself to be a bit sexier and say what’s on my mind": How Taylor Hawkins and a nameless girl inspired The Struts frontman Luke Spiller to make his brilliant and beguiling solo album
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• “This one was really hard, we had massive arguments”: Radiohead on the making of Hail To The Thief, the record that got away from them
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• “The reason Rush could rock while referencing Bertrand Russell and Elizabethan drama”: Neil Peart’s most powerful lyrics
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• In Search Of The Perfect Buzz: An 80s Metal Memoir
  80s Metal Rules
• “Sometimes I think, ‘This has become so big that I can’t handle this monster any more.’ I have some trouble comprehending it”: How Nightwish became the planet’s most epic symphonic metal band with Endless Forms Most Beautiful
  Louder
• "Five middle-aged, slightly hungover geezers miming along to something." Opeth share new band performance video of §1
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• "It's an album of soul food, and I've never been so grateful, right here, on planet Earth": Glenn Hughes announces first album in nine years
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• DAZR’s debut self-titled EP now available
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• Black Sabbath and Ozzy Osbourne's farewell gig in Birmingham next month will be livestreamed globally: find out how you can watch the greatest metal show ever
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• Steve Perry launches sale of personal artefacts to raise funds for victims of Los Angeles fires
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• "He told me, You've got this opportunity to be a rock star because you're not afraid to say the things other people won't." Yungblud reveals the career advice he received from a machete-wielding rock star who sees him as a kindred spirit
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• Amorphis drop first new music from upcoming album Borderland with anthemic new single Light And Shadow
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• Fistfights with John Lydon, sword fights with the Sisters of Mercy, gangsters, goth and Ferris Bueller: The epic story of Flesh For Lulu
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• Watch pop superstar Chappell Roan absolutely kill it with a brilliant cover of Heart’s Barracuda
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• Watch video for new Scars On Broadway track Killing Spree
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• "There were multiple shows that I would show up for fully black-out drunk. I don’t remember them." From addiction and alcohol abuse to parenthood and poetry, here's everything The Used's Bert McCracken has learned
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• “I love what they have brought to the metal scene. They have a completely different spin on a genre that often runs on the same cart tracks”: Why Rage Against The Machine guitarist Tom Morello loves Babymetal
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• Airbourne unleash new track “Gutsy”
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• Dirkschneider & The Old Gang share video for new single “Hellbreaker”
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• Slipknot’s Jim Root once asked Diamond Rowe of nu metal up-and-comers Tetrarch for guitar lessons: “I was like, ‘OK, dude, come on!’”
  Louder
• Roger Waters shares clip of Wish You Were Here as he announces new This Is Not A Drill - Live From Prague The Movie
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• “Bands change; people move on. But when everything Jonas Renkse touches turns to gold, the present and future will always outweigh the past”: Katatonia’s new era begins with Nightmares As Extensions Of The Waking State
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• “They use their standing to its fullest potential, both as entertainers and campaigners”: Massive Attack’s LIDO festival extravaganza was protest art at its finest
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