Film News 2025-06-07

• ‘Titan: The OceanGate Disaster’ Review: A Surface-Level Netflix Documentary About the Submersible Implosion Heard Around the World
  Indie Wire
• From a Mini ‘Girlfriends’ Reunion to ‘Matlock’ Rolling Deep, IndieWire Honors 2025 Was About Support
  Indie Wire
• Tom Cruise Has Never Been Happy with His Breath-Defying Underwater Scenes, So ‘Final Reckoning’ Went Three Times Bigger
  Indie Wire
• Colin Farrell and Makeup Designer Mike Marino Toast ‘The Penguin’ — and Push Back Against AI
  Indie Wire
• The Return of ‘Phineas and Ferb’ Promises Aliens, Therapy, and the Best Summer Vacation Ever
  Indie Wire
• How ‘Dan Da Dan’ Mixed Horror and Comedy for Its ‘Evil Eye’ Arc
  Indie Wire
• Kathy Bates Salutes Her ‘Matlock’ Team — ‘First, Last, and Always, I Am a Soldier of the Cinema’
  Indie Wire
• Mara Brock Akil on the Response to ‘Forever’: ‘It Is a Privilege to Be Trusted That Much’
  Indie Wire
• Does ‘Materialists’ Satisfy as a Romance? Screen Talk Debates Celine Song’s Film, Shares ‘F1’ First Reactions
  Indie Wire
• ‘I Don’t Understand You’ Review: Nick Kroll and Andrew Rannells Kill It in Grisly Destination Rom-Com
  Indie Wire
• Ridley Scott on ‘Kingdom of Heaven’ Re-Release, How Eva Green ‘Never Forgave’ Him for Cutting Down Her Role, and the Western He Still Wants to Make
  Indie Wire
• Jim Jarmusch’s ‘Father Mother Sister Brother’ Will Premiere at Venice, MUBI Chief Says
  Indie Wire