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Film News 2025-05-19
‘The Last of Us’ Review: Episode 6 Flashes Back to Connect the Dots (and Heal Our Hearts) — Spoilers
Indie Wire
‘Magellan’ Review: Gael García Bernal and Lav Diaz Unite for a Hypnotizing Historical and Spiritual Epic
Indie Wire
Shia LaBeouf Is Thrilled ‘Slauson Rec’ Got Into Cannes, but Not with What It Reveals of Him: ‘I Can Be Both Disgusted with Myself and Happy as F**k’
Indie Wire
‘The Love That Remains’ Review: Hlynur Pálmason Creates an Intimate Chronicle of a Fractured, Yet Resilient Family
Indie Wire
‘Slauson Rec’ Review: Shia LaBeouf’s Disastrous Attempt at Starting a Theater Company Pushes Him to Rock Bottom
Indie Wire
‘The Phoenician Scheme’ Review: Wes Anderson’s Plans Go Awry in a Spirited but Shallow Caper
Indie Wire
Cannes 2025 Films Sold So Far: Lynne Ramsay’s ‘Die, My Love’ Sells to MUBI in Major Deal
Indie Wire
‘Saturday Night Live’ Highlights: Scarlett Johansson Earns Her Roses During the’SNL 50′ Finale
Indie Wire
‘The Secret Agent’ Review: Wagner Moura Tries to Leave History Behind in Kleber Mendonça Filho’s Beautifully Remembered Period Thriller
Indie Wire
‘My Father’s Shadow’ Review: The First Nigerian Film to Premiere at Cannes Is a Beautifully Remembered Drama About a Fateful Day Trip Into Lagos
Indie Wire
‘Peak Everything’ Review: A Light Comedy About the End of the World
Indie Wire
‘Pillion’ Review: Alexander Skarsgård and Harry Melling Are Magnificent in a Wildly Explicit and Strangely Sweet BDSM Romance
Indie Wire