Film News 2025-05-19

• ‘The Last of Us’ Review: Episode 6 Flashes Back to Connect the Dots (and Heal Our Hearts) — Spoilers
  Indie Wire
• ‘Magellan’ Review: Gael García Bernal and Lav Diaz Unite for a Hypnotizing Historical and Spiritual Epic
  Indie Wire
• Shia LaBeouf Is Thrilled ‘Slauson Rec’ Got Into Cannes, but Not with What It Reveals of Him: ‘I Can Be Both Disgusted with Myself and Happy as F**k’
  Indie Wire
• ‘The Love That Remains’ Review: Hlynur Pálmason Creates an Intimate Chronicle of a Fractured, Yet Resilient Family
  Indie Wire
• ‘Slauson Rec’ Review: Shia LaBeouf’s Disastrous Attempt at Starting a Theater Company Pushes Him to Rock Bottom
  Indie Wire
• ‘The Phoenician Scheme’ Review: Wes Anderson’s Plans Go Awry in a Spirited but Shallow Caper
  Indie Wire
• Cannes 2025 Films Sold So Far: Lynne Ramsay’s ‘Die, My Love’ Sells to MUBI in Major Deal
  Indie Wire
• ‘Saturday Night Live’ Highlights: Scarlett Johansson Earns Her Roses During the’SNL 50′ Finale
  Indie Wire
• ‘The Secret Agent’ Review: Wagner Moura Tries to Leave History Behind in Kleber Mendonça Filho’s Beautifully Remembered Period Thriller
  Indie Wire
• ‘My Father’s Shadow’ Review: The First Nigerian Film to Premiere at Cannes Is a Beautifully Remembered Drama About a Fateful Day Trip Into Lagos
  Indie Wire
• ‘Peak Everything’ Review: A Light Comedy About the End of the World
  Indie Wire
• ‘Pillion’ Review: Alexander Skarsgård and Harry Melling Are Magnificent in a Wildly Explicit and Strangely Sweet BDSM Romance
  Indie Wire