Film News 2025-03-30

• Museum of the Moving Image Is Set to Launch ‘Mission: Impossible’ Exhibition Ahead of ‘The Final Reckoning’
  Indie Wire
• Hans Zimmer Goes for ‘All the Heavy Ones’ in the Criterion Closet, Including ‘Night and Fog’ and ‘Performance’
  Indie Wire
• Matt Bomer Says Heaviness of ‘Fellow Travelers’ Led Him to ‘Mid-Century Modern’ Sitcom: ‘I Need Joy’
  Indie Wire
• Noah Centineo Believes ‘The Recruit’ Was Cancelled Because It ‘Didn’t Fit’ the Mandate Required by Netflix
  Indie Wire
• Jon Lovitz Has Been ‘Trying for Years’ to Bring ‘The Critic’ Back — He May Now Finally Have a Shot
  Indie Wire
• Martin Scorsese Didn’t Believe ‘The Last Temptation of Christ’ Would ‘Ever Get Made’ Until Oliver Stone Showed Him Willem Dafoe in ‘Platoon’
  Indie Wire
• CPH:DOX Winners Led by ‘Always,’ ‘2000 Meters to Andriivka,’ and More
  Indie Wire
• Academy Apologizes for Omitting Hamdan Ballal’s Name After 600 Academy Members Criticize Its Initial Response to Attack on Filmmaker
  Indie Wire
• Kit Connor: ‘Warfare’ Long Takes ‘Benefited Me as an Actor’ for ‘Romeo + Juliet’ on Broadway
  Indie Wire
• 2025 Emmy Predictions: Outstanding Lead Actor in a Drama Series
  Indie Wire
• ‘Everybody’s Live with John Mulaney’ Is a True Late-Night Original, but Owes a Lot to These Influences
  Indie Wire
• ‘The Woman in the Yard’ Review: Baffling Blumhouse Effort from ‘Orphan’ Director Gets Lost in the Weeds
  Indie Wire