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Film News 2025-02-16
Brian Cox ‘Won’t Watch’ Jeremy Strong in ‘The Apprentice,’ But Has Seen Kieran Culkin in ‘A Real Pain’
Indie Wire
‘Anora’ Pulls Off a Trifecta with a Win for Original Screenplay at the 2025 WGA Awards (Winners List)
Indie Wire
Lorne Michaels Isn’t Ready to Leave ‘Saturday Night Live’ Quite Yet: ‘I Don’t Feel I’m Done’
Indie Wire
‘Dreams’ Review: Jessica Chastain Gives a Daring Performance in Michel Franco’s Most Powerful Film Yet
Indie Wire
Ken Burns Shares the ‘Tragedy’ of His Filmmaking Roots in the Criterion Closet
Indie Wire
‘Hysteria’ Review: An Accidental Quran Burning Sets Off an Intricate German Political Thriller
Indie Wire
The ‘SNL50: Homecoming Concert’ Had Everything: Kevin Costner Losing It to Cher, Jerry Seinfeld Singing Backstreet Boys, and Lady Gaga with Her D**k in a Box
Indie Wire
The Indie Film Business Needs to Change — and Filmmaker Shatara Michelle Ford Has Plenty of Ideas How It Can
Indie Wire
‘Mickey 17’ Review: Robert Pattinson and Robert Pattinson Star in Bong Joon Ho’s Best English-Language Film So Far
Indie Wire
How ‘Saturday Night Live’ Went from Mocking Politics to Shaping It in the Span of 50 Years
Indie Wire
Colter Shaw Goes on the Road Every Episode of ‘Tracker’ — Which Means Finding a Lot of Vancouver Locations
Indie Wire
2025 ADG Lifetime Honorees Share Highlights from Their Storied Careers
Indie Wire