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Film News 2024-01-19
‘Freaky Tales’ Review: This Miscalculated and Smug ’80s Nostalgia Trip Isn’t the Return to Form We Wanted
Indie Wire
Robert Downey Jr. Hails Christopher Nolan ‘as Independent a Voice as Ever Existed in Cinema’
Indie Wire
‘Kneecap’ Review: This Irish Rap Origin Story Offers IRA Drama and a Misplaced Michael Fassbender
Indie Wire
‘Thelma’ Review: June Squibb Squares Off with Mail Scammer in Slow-Moving Revenge Comedy
Indie Wire
‘Power’ Review: Yance Ford’s Netflix Documentary Is a Dry but Damning History of America’s Police Force
Indie Wire
‘Stress Positions’ Review: John Early Is Brilliant in a COVID Comedy That Sees Millennials for Who They Really Are
Indie Wire
‘Girls State’ Review: Apple’s Strong Documentary Sequel Explores the Political Limits of Girl Power
Indie Wire
‘Frida’ Review: This Raw Documentary Trusts Frida Kahlo to Speak for Herself
Indie Wire
‘Ghostlight’ Review: ‘Saint Frances’ Team Returns with Another Tender Gem About the Power of Human Connection
Indie Wire
Ava DuVernay’s Love of Background Actors Paid Off in ‘Origin’
Indie Wire
‘The L Word’ Pilot Turns 20 — Amid the Worst LGBTQ Backslide in Television History
Indie Wire
‘Layla’ Review: An Arab Drag Queen Gets Lost and Found in a Feel-Good but Frustrating Queer Romance
Indie Wire