Film News 2023-09-13

• ‘Widow Clicquot’ Review: Bodices Replace Bluetooth Headsets in This Rags-to-Riches Champagne Saga
  Indie Wire
• ‘Love at First Sight’ Review: Haley Lu Richardson Tries to Save a Fumbling ‘Before Sunrise’ Romance
  Indie Wire
• Shawn Levy: ‘Stranger Things 5’ Is as ‘Big as Any of the Biggest Movies’ in Theaters
  Indie Wire
• The Drew Barrymore Explainer: Why She and Daytime TV Are Under Fire During the Writers Strike
  Indie Wire
• ‘The Fall of the House of Usher’ Trailer: Mike Flanagan Adapts Edgar Allan Poe for Chilling Netflix Series
  Indie Wire
• Hulu’s New Thriller ‘The Other Black Girl’ Hinges on Black Hair as a Powerful Storytelling Device
  Indie Wire
• 2023 Fall Festival Acquisitions So Far: Netflix Buys Lucy Walker Doc ‘Mountain Queen’
  Indie Wire
• Ethan Hawke and Maya Hawke’s ‘Wildcat’ Is an Even Greater Family Affair Than We Knew
  Indie Wire
• Sofia Coppola Hasn’t Seen Spike Jonze’s ‘Her’: ‘I Don’t Know If I Want to See Rooney Mara as Me’
  Indie Wire
• Martin Scorsese: Young Filmmakers Have to ‘Really Fight’ to Not Be ‘Co-Opted’ by Studios
  Indie Wire
• ‘Pictures of Ghosts’ Review: Kleber Mendonça Filho Immortalizes Brazilian Cinemas in Deeply Personal Work
  Indie Wire
• Listen to Bowen Yang, Megan Mullally, and Nathan Lane Perform ‘Dicks: The Musical’ Single
  Indie Wire