Film News 2023-09-02

• Lily Gladstone Calls ‘Yellowstone’ a ‘Delusional’ Portrayal of the American West
  Indie Wire
• ‘Hoard’ Review: An Audacious, Unsettling British Debut Announces a Singular Directing Talent
  Indie Wire
• Venice Festival Director Alberto Barbera Anticipates ‘Insults’ Over Woody Allen and Roman Polanski Films
  Indie Wire
• ‘High & Low: John Galliano’ Review: An Unvarnished Portrait of a Fashion Icon’s Descent into Hatefulness — and Emergence from It
  Indie Wire
• ‘The Monk and the Gun’ Review: Bhutanese Villagers Welcome Democracy (and Daniel Craig) with Caution
  Indie Wire
• Need to Break Up? ‘The One I Love’ Will Ruin Your Relationship This Labor Day Weekend
  Indie Wire
• ‘How To with John Wilson’ Finale Is a Remarkable Culmination to the Series — and So Much More
  Indie Wire
• ‘Janet Planet’ Review: Annie Baker Makes a Keenly Observed Transition to Film in Luminous Debut
  Indie Wire
• Damien Chazelle Directs Bradley Cooper in Dreamy Parisian Louis Vuitton Ad — Watch
  Indie Wire
• It’s Not Just a Talking Point: The WGA Really Is More Resolved Than Ever
  Indie Wire
• Max Is Borrowing an Old Netflix Trick to Compile Its Top 10 Lists
  Indie Wire
• ‘Finalmente l’alba’ Review: No, Grazie to This Convoluted Story About the Glory Days of Roman Filmmaking 
  Indie Wire