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Film News 2023-01-23
Sundance 2023 Movie Deals So Far: Magnolia Strikes Again With ‘Kokomo City’ Acquisition
Indie Wire
‘Going Varsity in Mariachi’ Review: An Uplifting Doc That Still Fails to Play a Full Tune
Indie Wire
‘Drift’ Review: A Subdued Drama Led by a Powerful Cynthia Erivo
Indie Wire
‘All Dirt Roads Taste of Salt’ Review: Raven Jackson’s Poetic Debut Is a Vivid but Vague Portrait of Mississippi Life
Indie Wire
With No Serious Challengers ‘Avatar 2’ Passes $2 Billion Worldwide, Nears $600 Million Domestic
Indie Wire
‘There’s No Rulebook for Producing’: Sundance Keynote Celebrates Indie Producers
Indie Wire
‘Eileen’ Review: Anne Hathaway and Thomasin McKenzie Are Career-Best in a Perverse Folie à Deux
Indie Wire
‘Infinity Pool’ Review: Brandon Cronenberg’s New Nightmare Is Shallow and Hedonistic
Indie Wire
‘Magazine Dreams’ Director Elijah Bynum Clarifies He Has No Opposition to Captioning: ‘No, of Course Not’
Indie Wire
‘Cat Person’ Review: The Viral Story Gets an Appropriately Excruciating Adaptation
Indie Wire
‘Theater Camp’ Review: Song, Dance, and an Adorable and Clever New Entry Into the Mockumentary Canon
Indie Wire
‘Past Lives’ Review: Celine Song’s Transcendent Debut Is Destined to Be One of 2023’s Best Films
Indie Wire