Film News 2022-05-21

• ‘Love According to Dalva’ Review: A Daring Portrait of the Effects of Childhood Sexual Abuse
  Indie Wire
• ‘Triangle of Sadness’ Review: Ruben Östlund’s Beauty Satire Is Bent All Out of Shape
  Indie Wire
• Gaspar Noé Calls Watching ‘Gravity’ on Drugs ‘the Best Cinematic Experience of My Life’
  Indie Wire
• Vicky Krieps Should Be in the Cannes Competition for Best Actress
  Indie Wire
• Not Feeling ‘Pleasure’? ‘Kamikaze Hearts’ and ‘Jonathan Agassi’ Show Queer Porn Stars on Their Own Terms
  Indie Wire
• ‘Barry’ Star Anthony Carrigan Was Told to Quit Acting Over Alopecia: ‘You’re Not Attractive Anymore’
  Indie Wire
• ‘More Than Ever’ Review: Gaspard Ulliel’s Final Film Is About the Cruelty of Death
  Indie Wire
• ‘Boy from Heaven’ Review: Egyptian Political Thriller Gives Conventional Treatment to a Curious Subject
  Indie Wire
• ‘War Pony’ Review: Riley Keough and Gina Gammell’s Directorial Debut Is a Grim Portrait of American Futility
  Indie Wire
• Why ‘Stranger Things 4’ Will Beat ‘Bridgerton’ Season 2 for the Netflix Viewing Record
  Indie Wire
• ‘Men’: Alex Garland Breaks Down That Wild Ending, Scrapped Concept, and How ‘Attack on Titan’ Inspired It
  Indie Wire
• ‘Downton Abbey’: Julian Fellowes Not Opposed to Third Movie, Surprised at ‘Franchise’ Designation
  Indie Wire